Showing posts with label figure drawing. Show all posts
Showing posts with label figure drawing. Show all posts

Thursday, March 18, 2010

Holding Still

My first session of figure modeling for life drawing last year was unnerving. I mean, I wasn't too intimidated - I had the basics down; you disrobe, pose for varying amounts of time, and some of those poses can be very long. Not a difficult concept. Because of my experience in front of the camera, I didn't feel like it would be that much of a jump to pose in front of students/artists instead of photographers.

In a lot of ways its not a big difference, and then of course, in some ways, it is.

It's really, really difficult to hold still for longer than 5 minutes. And that's even for the "easy" poses. You know, positions you usually imagine yourself holding more than briefly - such as simply sitting or standing. But I don't enjoy simple for simplicity's sake, I love complex things that have been designed or highlighted for their simplicity. Like the iPhone. Which I don't have. Anyway...

Longer poses require careful considerations. Primarily: "Can I hold that pose for that long?" And the answer probably is no - not without shaking or some limb falling asleep. I often tried to overpose, to give that 110%, but that would lead to the aforementioned shaking and limb-fallen-asleep-ness (hold on, there has to be a word for that. wiki says: paraesthesia) so over time I've learned to balance which poses will or wont be udderly arduous to hold (the yoga has really helped comfortably extend my holding times) and yet maintain a repertoire of cogent, expressive and diverse poses. However, during this learning curve for life modeling I never expected to learn another skill that would be much more rewarding in and of itself: Learning to hold still.

When I was much more unpracticed, less mindful, the timer was my prison. In the very beginning, I thought it would be best if I couldn't see how much time I had left to hold the pose. Good thought in theory. But turns out, I need to check in once and a while and modify my mindset, and make decisions on how to slightly adapt my pose for longevity. There is bliss in the tiny movements.

But in the spaces between check-ins with the timer, the pauses, is what I've had the most satisfaction in practicing. There was quite an adjustment from photography modeling, where I'm used to strobes flashing, music, directions and comments from photographer, and other distractions that I can usually divert my attention to for at least a moment. Not at all the case in the classroom or at co-ops. The only thing you hear consistently is the sound of many pencils drawing on paper. It's become a trigger for me. As soon as I hear that sound, my mind prepares itself for quietness. Stillness. It's become a very peaceful space. A very mindful space.


First I settle in to the pose. Then I pick a focal point for my eyes.
Try it. For 5 minutes. Set a timer, sit down and settle yourself.
Pick something to stare at.
Don't move anything, including your gaze. Don't scratch anything.

Tell me what happens.

Then, try it for 40 minutes.


I've had some amazing sensations come over me, and plenty of quiet time for clear, constructive thinking. Being blissfully aware and present in the moment. Even if I wasn't terribly passionate about contributing to art, these moments of stillness would be all the reason I need to stay a life drawing model for a very long time.





More on my thoughts about this later.

_______________

Sylvie Blum.

Thursday, March 4, 2010

...often go astray.

So, life has thrown another curve-ball. I'm no longer making the roadtrip due to my car's condition. It's a big letdown, which is a bit of an understatement. But I will still be making it to the Palm Springs workshop, I'll just be flying out there and back.

Figure/Life Drawing sessions have been picking up, which I'm very excited and grateful for. I just modeled at Hamline for the first time this past Tuesday. The instructor was wonderful (with British charm to boot) as well as all the students. So respectful, and very talented. I'm scheduled for more sessions there in the upcoming weeks, which will be great!

All for now!




________________

David Winge.

Friday, July 17, 2009

I was a figure drawing model today!














And he gave me the last drawing, and signed it! What a guy!

I'm sooooo happy. :)


_________________

Sergio Lopez.

Saturday, May 9, 2009

A Painting

This is a painting from my first time being the model of a life drawing class.




The hardest part of anything is starting.


______________________

Painter: Matthew Holm

Thursday, April 2, 2009

Life Drawing

About two weeks ago, someone from deviantART stumbled on my site and offered an opportunity to model for a life drawing class that they were a student of. I gladly accepted, as being a part of a life/figure drawing class has been something I've wanted to do since I started modeling.

So yesterday was my first exposure to that environment, and although I was a bit nervous for the first 10 minutes or so, that anxiousness easily melted away. Everyone was so nice and appreciative, and very welcoming. The only uncertainty I had were my poses, as I didn't want them to be too dramatic.

So, I'm looking for more opportunities to be a life drawing model. I guess I'll have to get off the computer and start calling schools. Maybe a few of them have some summer classes.



My Poetry.

________

A shoot a couple weeks ago with Image Group; Gary Cook. I brought my ideas to him, and I really like the final result.