Showing posts with label posing. Show all posts
Showing posts with label posing. Show all posts

Saturday, July 17, 2010

Photography: Natural vs Reality

Dave Levingston recently was expressing his position based off of critical comments/questions by his friend Morgan. Her main concern (in a nutshell) seems to be why aren't photographers asking models to pose in "natural" ways.

"This is about calling bullshit when I see it and it’s bullshit to say that someone is celebrating the beauty of the natural female form when there isn’t anything natural in the ways they pose or photoshop their models."


Okay, first of all, what constitutes "natural?" Here, I have a link to the definitions of "natural." None of those definitions seem to really fit what Morgan is aiming at, instead I think they cater to more of how Dave defines it. Dave asks his models to either mimic or contradict the lines or patterns of nature in the scene as he sees it. If models were asked to be photographed, posing like one would stand waiting for the bus, or lounging like they're watching tv, there would be nothing inspiring to photograph - in most cases. And that's not the definition of natural, that's just sedentary. Any way a person poses is natural, because the pose is emanating from themselves. They are not attaching anything artificial, or man-made, to their bodies, or doing something impossible that a human being cannot possibly do. That would be unnatural.

And my favorite type of photographic art is one that tries to imitate the impossible. But that's just me.

But I personally don't believe this is really the case at hand - I think it's mostly an excuse. I think Morgan is just pissed off at society at large for the way women have been perpetuated in the media and blaming it on how it has influenced their representation in artistic mediums. Specifically (obviously) photography. But every era in time has their own idealistic version of women - how they are considered attractive and sexually appealing. In this day in age, even I wouldn't fit that description. Yes, I am trim, but I don't have big breasts. I am not tall. I don't have that exaggerated hourglass figure. But I absolutely love the way I am, and I am thankful that I am lacking those physical attributes because I personally strive to participate in nude art that tries to separate beauty from sexuality. Of course, those two can't be totally separated, I realize, but I focus my energy in collaborating in art that does not excite sexual arousal. I am most excited by art that represents the innocence of the nude form; that we come from nature and we are all born naked, the amazing geometry and forms that the human body can take, and the unconventional beauty of "unnatural" posing.

I think people have this notion stuck in their minds that photography should depict realness. I think when people see a photograph, there's a part of their mind that views it as purely journalistic. But photography, when used for a tool in art, shows the artist's reality - and that's it. And their reality doesn't have to be real. That's the most absolutely wonderful thing about art. Art represents a continuum between fantasy and truth. Wherever the artist decides to stop on that continuum is their prerogative.

I think photography is involved in so much controversy because it most often does show truth in the scene. It's a snapshot in time, it captures the moment. No other medium has these claims that it distorts reality, because all the other mediums do that automatically.

I guess it boils down to, if you want to see "natural" photographs of people you'll have more luck looking in the newspaper (yes, they still exist - for now). Whatever you do, don't look at art.



On that note, here's an "unnatural" pose self-portrait.

Thursday, March 18, 2010

Holding Still

My first session of figure modeling for life drawing last year was unnerving. I mean, I wasn't too intimidated - I had the basics down; you disrobe, pose for varying amounts of time, and some of those poses can be very long. Not a difficult concept. Because of my experience in front of the camera, I didn't feel like it would be that much of a jump to pose in front of students/artists instead of photographers.

In a lot of ways its not a big difference, and then of course, in some ways, it is.

It's really, really difficult to hold still for longer than 5 minutes. And that's even for the "easy" poses. You know, positions you usually imagine yourself holding more than briefly - such as simply sitting or standing. But I don't enjoy simple for simplicity's sake, I love complex things that have been designed or highlighted for their simplicity. Like the iPhone. Which I don't have. Anyway...

Longer poses require careful considerations. Primarily: "Can I hold that pose for that long?" And the answer probably is no - not without shaking or some limb falling asleep. I often tried to overpose, to give that 110%, but that would lead to the aforementioned shaking and limb-fallen-asleep-ness (hold on, there has to be a word for that. wiki says: paraesthesia) so over time I've learned to balance which poses will or wont be udderly arduous to hold (the yoga has really helped comfortably extend my holding times) and yet maintain a repertoire of cogent, expressive and diverse poses. However, during this learning curve for life modeling I never expected to learn another skill that would be much more rewarding in and of itself: Learning to hold still.

When I was much more unpracticed, less mindful, the timer was my prison. In the very beginning, I thought it would be best if I couldn't see how much time I had left to hold the pose. Good thought in theory. But turns out, I need to check in once and a while and modify my mindset, and make decisions on how to slightly adapt my pose for longevity. There is bliss in the tiny movements.

But in the spaces between check-ins with the timer, the pauses, is what I've had the most satisfaction in practicing. There was quite an adjustment from photography modeling, where I'm used to strobes flashing, music, directions and comments from photographer, and other distractions that I can usually divert my attention to for at least a moment. Not at all the case in the classroom or at co-ops. The only thing you hear consistently is the sound of many pencils drawing on paper. It's become a trigger for me. As soon as I hear that sound, my mind prepares itself for quietness. Stillness. It's become a very peaceful space. A very mindful space.


First I settle in to the pose. Then I pick a focal point for my eyes.
Try it. For 5 minutes. Set a timer, sit down and settle yourself.
Pick something to stare at.
Don't move anything, including your gaze. Don't scratch anything.

Tell me what happens.

Then, try it for 40 minutes.


I've had some amazing sensations come over me, and plenty of quiet time for clear, constructive thinking. Being blissfully aware and present in the moment. Even if I wasn't terribly passionate about contributing to art, these moments of stillness would be all the reason I need to stay a life drawing model for a very long time.





More on my thoughts about this later.

_______________

Sylvie Blum.

Monday, October 5, 2009

Positive.



I love this pose.
___________

Sylvie Blum. Second Shoot.

Tuesday, September 1, 2009

Summer Adventures - Sylvie Blum

One of my greatest ambitions in my fine art modeling is to work with artists that share my passion for creating classic, tasteful, figurative and/or abstract and/or structural fine art nudes. Although I greatly respect and admire other forms of fine art nudes, including but not limited to, conceptual, emotive, experimental, erotica, fashion-esque...etc., it's not what lights my fire and passion deep within.

I think the most beautiful thing in the whole world is the human body. Not only for aesthetic reasons, but also for intrinsic reasons.

I've only worked with a few photographers that share my passion for figurative/abstract nude art. But every time I work with said photographers, I always come away from the shoot feeling that rush of adrenaline and the superb satisfaction of collaborating and creating impeccable art with extremely talented artists, not to mention I receive a few masterpieces for my portfolio.

Sylvie Blum is, no doubt, one of those few photographers I've had the utmost pleasure of working with. She has a true, passionate artist's heart, an exceptional eye and talent, and a generous, kind, and beautiful personality.







I'm extremely giddy to say that I will be working with her again soon.
Very soon, in fact.

We will be shooting together over the course of three days... next week! I'm flying out to LAX next Monday and staying in Hollywood September 7-10. I expect these sessions will be as wonderful and productive, if not more so, as our first session was.

I feel extraordinarily humbled and privileged to have such favorable regard of such a prolific and internationally renown fine art nude photographer. It makes my heart swell with joy!

_______________

Sylvie Blum !!!

Tuesday, July 14, 2009

Encantar





_________________

Jaime Ibarra
.

boop boop!

Wednesday, July 8, 2009

Inside Out

Stretch all the way around and be close to your ground.






Doctor Horrible Sing Along Blog. Act 2, Parts 1 $ 2.







Packing 3 weeks of clothing into a small carry on is much more of a challenge for an art nude model than what you would think!


Today, Minneapolis. Tomorrow, West coast tour starting off in Portland!

________________

Lightphile Studios.

Monday, July 6, 2009

Lets play!

Let's play follow the limbs!











Ready?










Go!







___________________

Scott Nichol.